A continuous film flow against your content calendar.
For CMOs and marketing teams that need film across several channels every month. We produce campaign film, short-form, customer cases and thought leadership in a predictable flow — planned against your calendar, without hiring an in-house video producer.
The film engine behind your content calendar.
Marketing teams need 4-10 new films a month for paid, LinkedIn, web and email. A subscription gives a continuous flow against the content calendar at a fixed cost, planned around your campaign moments.
When to use it
- Filling the content calendar across channels
- Testing more hooks on paid social
- Keeping the brand alive between big campaigns
- Replacing freelancer chasing with a fixed team
What's included
What you can expect
new clips across paid, LinkedIn, web and email.
production planned around your campaign moments.
a dedicated team at a fixed monthly price.
Frequently asked
How does film help a marketing team?
Film is the format that performs best on most channels — paid social, LinkedIn, web and email. A marketing team with a continuous film flow can fill the calendar, test more hooks and keep the brand alive without chasing freelancers for every campaign.
How many films do we need per month?
It depends on channel mix and tempo, but most marketing teams we work with use 4-10 new clips a month: campaign film, short-form for social, customer cases and thought leadership. The Pulse packages cover 2-8 production clips a month.
Can you work against our content calendar?
Yes. We plan production against your campaign and content calendar so films land when you need them — not weeks after the campaign started.
Do we avoid hiring an in-house video producer?
Yes, that's the whole point of the subscription. You get a dedicated team, a predictable monthly price and a continuous flow — without recruitment, equipment or fixed staffing costs.